Skin

Complacency in the resting state of the human mind.

We would rather not be bothered by the thousands of events of cruelty, suffering, bigotry, despair, violence and casual dismissal of our fellow humans. In part this is certainly protective; too much goes on, we cannot absorb it all without ourselves falling into despair, which is perhaps the most destructive of all emotions, as it freezes us, makes us incapable of movement in any direction.

The other day I got in the mail a whole sheaf of photographs of myself. Naked. Yep, that's right, a pile of pics of yours truly in the buff! You won't be seeing them on the internet. Because I derive from Northern European stock (or, with less grandiosity, because I am a pasty-faced white boy),
my dermatologist (it feels odd to think I have my very own dermatologist) asked that I have high-resolution, full-body photographs taken of my naked body. She wanted to have something against which she could compare any new moles or blemishes, to make sure they were new and not just the same old, same old eruptions of dermis. The photography session itself was not particularly traumatic; I have no hang-up about my naked body and no delusion that the sight of it will be titillating. It is the body of a man of late middle age with lots of moles and lots of hair, pretty much average in pretty much every way. So, posing for a photographer, while it felt oddly like a fashion shoot (including the white umbrella-reflectors and striking poses as directed by the picture-snapper) was not in itself disturbing. But when my copy of the photos came in the mail, I felt a visceral reaction I had not expected, combined of dread and curiosity. Until this morning I had avoided looking at them.

Not from my portfolio

The Buddha taught that we should consider our bodies carefully: "In this fathom-long body, equipped with sense organs and faculties, I declare to you is the world, the origin of the world, the cessation of the world and the path leading to the cessation thereof." The entire philosophy of suffering and the end of suffering can be found in the body. Many have insisted that the Buddha intended to denigrate the body, asking us to see it as foul and the source of our cravings and distractions from the path of purification which could lead to the end of suffering. I find no such sentiment in the teachings, or at least not wholly so. I have read and heard the teachings on revulsion toward the body, but have also absorbed the teachings of the glory of the body. This may sound inconsistent, but it is more truly the evocation of the body as the teacher of all things, both "the origin of the world" and "the cessation of the world". To cling to the idea that the body is only to be reviled is to miss the point. Reviling the body is an exercise, just as celebrating it is. To cling to either image is to invite suffering into our lives.

She clearly disapproves

I went to see an exhibit at the Seattle Art Museum yesterday called "Elles", a tribute to women artists from the Pompidou museum in Paris. I expected to see the usual canvases of Kahlo, Cassatt  O'Keefe, Morisot and their ilk; there was very little so predictable as this. What I had not expected at all was the video installations, one of which was a naked woman (the artist) holding a live chicken by the legs until the chicken became calm, then having the head of the chicken chopped off and the same woman holding the chicken as it died, spewing blood over her and the floor. Just one example. The reason I evoke this disturbing image and the exhibit is to emphasize how clearly the show was designed to show our overwhelming disaffection and objectification toward our bodies and, in particular, the bodies of women (and to recommend to all Seattleites that they go see it).

Looking at the photos of my skin, there were few surprises. I thought my posture was better than that. Yep, there's that little inner tube around my middle that has been the subject of my most fervent hopes for weight loss. My, I have begun to sag! (Come now, Reid, you are well beyond mere beginning). What it did cause, though, was a crack in the skin of my routine image of myself and the world. We all carry with a certain version of our bodies that is notoriously inaccurate. Some of the paintings I admire the most are self-portraits that are honest and straightforward; the artist must have had to study his own body closely and in great detail (sometimes disheartening detail, we must believe) to paint such a portrait.

Both of these, as well as some other events in my recent life (A book by David Foster Wallace, a talk by Amy Goodman) have done is shake up my complacency, a necessary disturbance of the surface normality of my day-to-day life, a wake-up call of what the world is, both inside and outside my head.

I work with wounds, disturbances of skin integrity and its healing. One of the enemies of wound healing is what is called "biofilm", a glaze of bacterial matter on the surface of the wound that is fairly benign but prevents the wound from moving forward on the trajectory toward intact skin. It seems to me that our complacency serves the same purpose, this benign glaze that covers our eyes as we watch our televisions and stare into our omnipresent technoboxes. The best of art, of commentary, of actions by the outrageous, puncture our safe surround and bring us face to face with the reality—often ugly, as often gorgeous, sometimes both in a swirling admixture—of our daily lives.

This is precisely what the Buddha advocated. He did not wish for me to recoil with revulsion or swoon with delight at the sight of my own skin or the contemplation of my guts or my death. He had no desire for me to find the naked chicken woman disgusting or titillating (though of course she was a bit of both). He would have me give up neither my delight in escape nor my deeper seeking. What the Buddha asked of me is that I look at them and see what they are, truly are, in this moment, in my perception, right now. Really, the Buddha didn't advocate much of anything beyond WAKING UP.

Complacency may have been the Buddha's only enemy.